By this time I’d already done a few freestyle contour drawings of landscapes, with the albeit heavily-abstracted scenes being done in one, page-filling piece, with contour details of various things drawn on top of the base drawing here and there. This one was an overlapping of many pieces with no base drawing at all, giving it a denser look. Wanted color harmony in there but had to be restrained so as to clarify and not clutter up the composition. This is the other side of the building I sketched sometime later for “side door” (see below). See if you can find the whales.
10 x 12 7/8 inches, watercolor pencil on printed copy of fountain pen original done on-site, 2019. Print is a matted, mounted, signed 600 dpi color print on white acid-free cardstock with half-inch borders, in a limited run of fifty. I only use permanent, pigment-based HP inks which meet the ISO 11798 fade-resistance standard.